From Honiton lace to Orange Blossom, Royal designer wedding dresses through the years have actually encompassed tradition, whilst still embracing changing fashions.
By using The Royal Collection Trust, have a look at our gallery to see a few of the dresses used by Royal Brides over time.
For more information on each gown, click the menu in the hand that is left, or you’re on a mobile, make use of the fall down menu.
Queen Victoria, who shares with Queen Mary we, the difference to be a Queen regnant whom married after her accession, dressed only for her wedding to Prince Albert on 10 April 1840, in the Chapel Royal, St James’s Palace.
Her gown ended up being of white satin with a flounce that is deep of lace. Pinned to the off-the-shoulder neckline ended up being a brooch that Prince Albert had offered her as a marriage present: a big sapphire surrounded by diamonds. Her earrings and necklace had been additionally made of diamonds. On her behalf mind, rather than the anticipated coronet of diadem she wore merely a wreath of orange blossom and a lace veil.
Honiton lace is an attribute in a true range Royal wedding gowns; it really is a sort of bobbin lace made in Honiton, Devon.
Princess Victoria, The Princess Royal
The daughter that is eldest of Queen Victoria married Prince Frederick of Prussia, later on Frederick III, German Emperor and King of Prussia on 25 January 1858 during the Chapel Royal, St James’s Palace.
Princess Victoria’s dress ended up being made from white Moire Antique, a material by having a wavy (watered) look, that has been embellished with three flounces of Honiton lace. A flounce is a ruffle that is wide onto a dress or sleeve. The lace had been embellished with roses, shamrocks and thistles – the emblems of England, Ireland and Scotland.
The dress of this gown had been adorned with wreaths of orange and myrtle blossom, the latter being the bridal flower of Germany (the house nation of her fiance), embellished the gown. A bouquet that is large of exact exact same plants ended up being put on the centre associated with the bodice.
Princess Alice’s wedding to Prince Louis of Hesse were held in the living area of Osborne home on 1 1862 july. The marriage were held simply seven months considering that the loss of Prince Albert as well as the Royal Family ended up being nevertheless in deep mourning. On 21 1862, Queen Victoria wrote in her journal «Oh april! My heart sinks once I think about needing to proceed through all of it alone! «.
The muted Royal event had been mirrored within the gown, that was noted to be a ‘half-high gown with a deep flounce of Honiton lace, a veil of the identical and a wreath of orange blossom and myrtle. It had been a style that is simple perhaps perhaps maybe not adorned by having a court train’.
For Princess Helena’s wedding to Prince Christian of Schlewsig-Holstein at Windsor Castle on 5 July 1866, the white satin gown showcased similar touches to her mom’s and sibling’s dresses.
Honiton lace ended up being found in the flounces and veil, and featured roses, ivy and myrtle. Myrtle has already established an association that is long weddings such as the language of plants it symbolises love. Helena’s headpiece ended up being consists of orange blossom and myrtle.
Queen Victoria published in her own log that «Lenchen’s Helena’s, wedding gown had been of white satin, trimmed with one superb flounce of Honiton lace, initially selected for me personally, by dearest Albert & aerosols of orange flowers & myrtles, & a tremendously train that is long trimmed with the exact same lace & plants».
Princess Alexandra of Denmark
Princess Alexandra married Prince Albert, The Prince of Wales at St George’s Chapel, Windsor Castle in the 10 March 1863, the few would later become Queen Alexandra and King Edward VII – using this is in head, the marriage gown ended up being made for the next Queen.
The white silk gown had been garlanded with orange blossom and trimmed with Honiton lace in a patriotic pattern of flowers, shamrocks and thistles. As being a wedding present, Prince Albert provided Alexandra a looped pearl and diamond necklace and earrings with pendant falls.
The sixth child of Queen Victoria, married the Marquis of Lorne (heir of to the Dukedom of Argyll) at St George’s Chapel, Windsor Castle on 21 March 1871 Princess Louise.
Louise’s white silk wedding gown had been embellished with nationwide and royal symbols, with deep flounces of flower-strewn Honiton lace, and a brief wedding veil of Honiton lace herself and was held in place by two diamond daisy hair pins presented by her siblings, Princes Arthur, Prince Leopold and Princess Beatrice that she designed.
Princess Louise Margaret of Prussia
At Princess Louise Margaret’s wedding to Prince Arthur, Duke of Connaught on 13 March 1879, her dress reflected her European ancestry. It was made in Silesia although it was made of the usual white satin and decorated with traditional myrtle leaves. The lace for the train (that has been four metres very long) and veil had been from point d’Alencon lace (as opposed to Honiton), even though the typical orange blossom and myrtle had been nevertheless represented.
Point d’Alencon is needle lace that originated from Alencon, France within the century that is 16th.
Princess Helena of Waldeck and Pyrmont
Princess Helena married the youngest son of Queen Victoria, Prince Leopold on 27 April 1882 at St George’s Chapel, Windsor Castle. Helena’s gown had been sewn in Paris, and ended up being made from white satin, embellished with conventional orange blossom and myrtle and trimmed with fleur-de-lis. The gown ended up being again topped with point d’Alencon lace. The long tulle veil was held in position by way of a diamond headdress and a wreath of orange flowers and myrtle.
The tradition of orange blossom ended up being founded following wedding of Queen Victoria to Prince Albert. Between 1839 and 1846 Prince Albert introduced Queen Victoria with lots of pieces from a orange that is beautiful parure (matching pair of jewelry) to mark significant moments within their everyday lives ukrainianbrides – read more here.
Princess Beatrice, the youngest kid of Queen Victoria, hitched Prince Henry of Battenberg at St Mildred’s Church at Whippingham near Osborne, on 23 July 1885.
Beatrice’s white satin gown and lace overskirt ended up being trimmed with orange blossom and heather that is white. Beatrice had been an enthusiast of lace – one her most possessions that are treasured a tunic of point d’Alencon lace which had belonged to Catherine of Aragon. Queen Victoria permitted Beatrice to put on the Honiton lace and veil that she wore on her very own wedding – the only person her daughters which had the chance to use it.
Princess Mary of Teck
For Princess Mary of Teck (later on Queen Mary), bride into the future King George V in July 1893, the option ended up being a straightforward, elegant white and dress that is silver. Her train, woven in silver and brocade that is white ended up being embroidered with flowers, thistles and shamrocks, and her little lace veil fastened having a diamond flower of York.
The gown had been created by Arthur Silver, for the Silver Studio, who had been understood for his Art Nouveau designs and ended up being impacted by Japanese art. Mary continued the orange blossom tradition, with tiny wreaths being added to the breasts regarding the gown plus in her locks. The dress also showcased Honiton lace, which have been utilized by Mary’s mom, The Duchess of Teck’s very own wedding.
Lady Elizabeth Bowes-Lyon
White roses of York showed up on either region of the orange-blossom wreath keeping set up the veil of Flanders lace worn by Lady Elizabeth Bowes-Lyon on her wedding towards the Duke of York (later on King George VI) in 1923.
Her medieval-looking, waistless gown had been of ivory silk crepe, with strips of silver lame embroidered with seed pearls and two trains, one fastened during the sides, one other drifting through the arms.
The rose of York, hand-embroidered in over 10,000 pearls and crystals, had been a prominent function of daughter The Queen’s (then Princess Elizabeth) wedding gown in November 1947. The dress ended up being created by Sir Norman Hartnell, who cited Boticelli’s Painting Primavera, which symbolises the coming of springtime, as their motivation for the look.
The distributing skirt of ivory Duchesse satin, below a fitted bodice with heart-shaped neckline and long tight sleeves, ended up being embroidered with garlands of roses in raised pearls entwined with ears of wheat in crystals and pearls. Around the hem that is full edge of orange blossom had been appliqued with clear tulle outlined in seed pearls and crystal.
Regarding the tulle that is white rested a pearl and diamond tiara. The fan-shaped train, 14 foot very very long, in transparent ivory silk tulle, ended in a deep edge of embroidered flowers and wheat motifs.